New York, New York is a new Broadway musical. The show features music by John Kander, lyrics by Fred Ebb and Lin Manuel Miranda, and a book by David Thompson and Sharon Washington. It is loosely based on the 1977 film of the same name. It takes place in NYC in the late 1940s, shortly after World War II had ended. The musical’s potential for profound storytelling targeting the nascent post-war era held great potential. Unfortunately, the creative team missed the mark.
How was the story?
Who doesn’t love an origin story? Humble beginnings, prolonged struggle, perseverance and victory all factor into the journey. New York City has been a legendary proving ground for those seeking to demonstrate their worth to the world…”If you can make it there, you’ll make it anywhere.” New York New York can be described as a deeply-flawed yet highly entertaining musical. You won’t find a deep level character study about the human condition. There are numerous generic narratives–characters seeking to make their dreams come true in the big city. The storylines intersect one another in ways that tie into assorted musical sequences. Ultimately, the plot is phoned in. Much of the social commentary is designed to be as inoffensive as possible in order to cater to a wide audience.
Photo by Paul Kolnik
How was the cast?
Colton Ryan’s (Jimmy Doyle) phenomenal stage presence effectively held the spoon-fed central love story together. Yet his dialogue often was difficult to understand. He butchered an Irish accent while playing the character as drunk in the first half of the show. Anna Uzele (Francis Evans) possessed the commitment and zeal to elevate the production. Angel Sigala (Mateo Diaz), a Cuban immigrant pursuing his musical aspirations, and Emily Skinner (Madame Veltri), a violin teacher who takes on a Polish refugee as a student, turned in memorable performances.
Photo by Paul Kolnik
How was the direction, choreography, and scenic design?
Susan Stromam’s whimsical direction and choreography injected excitement into the relatively lackluster songs. Yet Beowulf Boritt’s imaginative scenic design was breathtaking in ways that truly captured the energy of one of the greatest cities in the world.
Final word
Theatre goers looking for an entertaining Broadway experience will enjoy New York, New York. Yet it most likely won’t inspire folks to see it again.
Overall Rating: B+
Pros: Brilliant stage design and choreography. The lead actors elevate generic material.
Cons: Lackluster songs and formulaic storytelling.
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